Course in Arts in Europe

Search Course Studies in Arts in Europe 2017

Arts

Courses are academic classes taught by qualified instructors that are intended to enhance participant’s knowledge of a given area or training in a particular discipline. Courses vary broadly in terms of length, size, content and duration.

In all, there are over 4000 Higher Education Institutions in Europe offering a wide range of courses at Bachelor, Masters and Doctorate level. With more and more of these organizations offering English as the language of education for at least some of their degree programs, universities in Europe are now of higher quality than ever before. Universities in Europe offer a friendly welcome to foreign students and to give a course of knowledge that meets their profession needs in today’s global demand.

View all Course Studies in Arts in Europe 2017

Read More

Professional Development in Digital Graphic Design

London College of Contemporary Arts
Campus Full time 1 year February 2017 United Kingdom London

With our Digital Graphic Design Professional Development Programmes, you will acquire an understanding of the design process, how to plan and develop ideas, and how to use images and text in design work for the purpose of communication. [+]

Course Studies in Arts in Europe 2017. Professional Development in Digital Graphic Design With our Digital Graphic Design Professional Development Programmes, you will acquire an understanding of the design process, how to plan and develop ideas, and how to use images and text in design work for the purpose of communication. Working with industry standard software such as Adobe InDesign, Illustrator and Photoshop, you will develop a portfolio of projects that will aid you in pursuing a career in the design field. Course Requirements 16 and above [-]

Art Direction (art Direction) High Creative Performance Program

Barcelona School of Creativity
Campus Full time 1 year September 2017 Spain Barcelona

Advertising enters the eye. Images, brands or posters are the first assault the consumer to get their attention and capture their interest, even before the message itself. And they are in the hands of the art director. [+]

Advertising enters the eye. Images, brands or posters are the first assault the consumer to get their attention and capture their interest, even before the message itself. And they are in the hands of the art director. Bernbach said that advertising is not a science but an art. And you're going to be the director. PROGRAM DESCRIPTION The art director is as responsible for creativity as the copy. Therefore, in addition to learn creativity, learn aesthetic, graphic design, editorial design, illustration, world of print, photography, film, fashion, creative trends, new technologies ... and will elaborate a portfolio to show that you have learned. The duration of the program is one academic year: three quarters, four hours a day Monday through Thursday, but surely, your training, your book and your future will require greater dedication of hours. THE AGENDA OF THE PROGRAM GRAPHIC DESIGN In the foundations of the art direction is graphic design. Line, shape, color, balance, rhythm, typography and calligraphy, image, brand ... they are the basis on which any communication action is constructed. Be prepared to work editorial design, signage, branding, corporate identity and packaging until you get to master them ... and enjoy them. SOME CONTENTS: Design Elements - Phases of a graphic project - Branding - Link between image and text - Design Typographic - Packaging - Color Theory - Signs and stands - Design of large formats - Composition and layout of brochures - How to choose the best system print - Learning from the masters of graphic design - there is a lot written about tastes - ... ART DIRECTION & MEDIA The tasks of the art director when creating and producing a campaign both in audiovisual media and graphics or digital are so many, so complex and so varied that this matter promises to be a real marathon to sprint. Traditional media, direct marketing, digital media ... from the most spectacular spot the most discreet banner, intervention art director is fundamental. SOME CONTENTS: The art director in the shoot - Learn to make a shooting board - Art for Apps - Special formats press - Arguing to defend your work - Buzoneo - Billboards outdoor media - A banner is not a small ad - Advertising POS - Decide on the casting - Adapting to different formats and media - promotions and direct mailings - ... NO NETWORK For if you have not clear yet, the main work of a creative is not: it is thinking. And to tell your ideas do not need a computer. The computer is just a tool, and a tool can not condition them. So, be prepared to climb a step on your creativity and desenchúfate. Draw, manipulate, cut and paste, copy, search, modeling, dirty ... are just some of the things you have to do to get it. SOME CONTENTS: Pencil & Moleskine - Marking a story board - Basics illustration - Tips to make a sketch - real models - Packaging and dies - Make typography ... really - Collage - Create and manipulate textures - materials at your fingertips - secrets of the photocopier - ... PHOTOGRAPHY, development and production Tools and disciplines that must know and master the art director are growing day by day. You have to know how to use all kinds of programs, there is knowledge of photography, post-production, film, printing techniques, and ... And, increasingly, new technologies, platforms and even programming. Knowledge does not take place, but it will take care a long time. SOME CONTENTS: Video and photo: art director to director of photography - Ruédalo yourself - Graphic production - Make and check original - Digital production: wireframe to final product - Production process of a spot: agency, producer and director - Mobile video - technological Projects and painting an art director in all this? - WORKSHOP CAMPAIGNS AND DEVELOPMENT OF BOOK Book, portfolio, reel, folder, reel, demo ... call it as you call it, it is the most important thing you have to do if you want to find work in an advertising agency. time to get to work with your partner in ideas, ads and campaigns has come. We expect real products and briefings, professional standards and, above all, many hours of work hand in hand with an art director. SOME CONTENTS: The best format - Selection of parts - Integrated Campaigns - How to make complex ideas - Creating video-cases - common errors - explanatory Charts - The interview - Contacting - Media and recommended supports - The book of double - ... CREATIVE WORKSHOP INNOVATION Technology has changed our lives forever influencing the culture, the economy, relations or communication. And, of course, advertising. In this workshop you will understand and master the new media technologies and formats. You'll practically using technologies like Arduino, Virtual Reality, 3D printing or gaming campaigns. there are no barriers to new creativity. And you, hand in hand with your creative partner, have ahead many sessions to prove it. SOME CONTENTS: Design Thinking and product innovation - Workshop Arduino and creative technologies - Experimenting with virtual reality - Campaigns mobile: generating useful and creative apps for brands - The virality and "snacking" content - 3D printing: shaping your ideas - Creating games that makes people want to produce and want to play- the transmedia campaigns - creative Facilities: guerrilla marketing effect "wow" - can the software be the idea of ​​a campaign? [-]

Future of Branding Week

Future London Academy
Campus Full time 1 week June 2017 United Kingdom London

This course is for people who want to learn more about the world of typography and learn about best practices of using type in various areas of design; for those who want to meet in person legendary typographers and creative directors, who were responsible for the great masterpieces. [+]

Course Studies in Arts in Europe 2017. What is British Typography and why is it different from Dutch or German? Why does every piece of British Design have a very distinct style with typography as the main element? Was it always there or did it only appear in the 60s? Did it get to the end in the 90s? Can a non-british designer become a British typographer? Where can we find examples of British Typography and how can we use them? All of these questions and many others will be answered during our programme. This course is for people who want to learn more about the world of typography and learn about best practices of using type in various areas of design; for those who want to meet in person legendary typographers and creative directors, who were responsible for the great masterpieces. This programme will help you to build a skeleton of typographic wisdom, that you will be able to build on in future. Programme includes lectures, workshops, visits to exhibitions, self-study work and professional discussions. You will also have a unique opportunity to get behind the closed doors of the most influential agencies in London. Structure of the programme: Every day you will discover typography through different lenses: Monday: environmental and space design
 Tuesday: type creation 
Wednesday: magazine and book design 
Thursday: digital design
 Friday: branding and packaging Who is this programme for: graphic, digital and packaging designers
 art and creative directors
 branding and typography specialists MA students and graduates of design programmes
 everyone who is passionate about British design and typography In a week you will learn: latest trends in typography how famous designers use type and what tricks do they use how biggest design studios and creative agencies work what do you need to know about type when working with branding, packaging and digital design can you become a British typographer if you were not born in the UK what is typography now and what it will look like tomorrow
 how many typographers are there in the UK Course curator Igor Mustaev, typographer and founder of Lavka Bukv. "Why ‘British Typography – the basics and the extras’? Because in 5 days, it is impossible to learn everything about such a vast layer of culture. But it gives an opportunity to immerse yourself in each area of it for a day and get the most out of personal interactions with legendary designers who created what is now known as British Typography. Some of you will confirm ideas you had about British typography, some will discover a completely different angle, but what is certain – you won’t get bored for a single second." Dates and schedule: Dates: 26th June -2nd July 2017
 Educational programme: 26th June - 30th June 2017 from 9 am to 6 pm Cost £1,995 – with accommodation 
£1,625 – without accommodation
 [-]

Black & White Printing - The Stop-System (Part-time Program Paris)

Spéos Paris-London Photographic Institute
Campus Part time 5 weeks October 2017 France Paris

This workshop presents black & white darkroom techniques, using the Stop System (a visual method invented at Speos) to understand and control the printing process. [+]

The part-time program is designed for beginners, amateurs and photography students alike. The various workshops deal with all the major aspects of modern photography: theory and practice, from past to present. This workshop presents black & white darkroom techniques, using the Stop System (a visual method invented at Speos) to understand and control the printing process. By the end of the week, each participant will be able to judge the quality of a print and produce good black & white pictures. To follow the workshop, a film camera is indispensable. From October to May. 3 hours per week, during 5 weeks. Mondays, Tuesdays, Wednesdays 6.30 pm – 9.30 pm Saturdays 2.30 pm – 5.30 pm Price per workshop: € 500 [-]

Green Screen Keying & Masking - Module 6

HandsOn International School of Filmmakers
Campus Part time 81 hours January 2017 Malta Sliema

Designed to help participants master essential green screen & keying skills, this focused course, offers a detailed overview of the green screen filming process: from the equipment required to setting up a greenscreen studio, through the techniques involved in lighting the greenscreen and the subject separately and covers everything from setup to producing the shoot to compositing the footage. [+]

Course Studies in Arts in Europe 2017. Course Overview Designed to help participants master essential green screen & keying skills, this focused course, offers a detailed overview of the green screen filming process: from the equipment required to setting up a greenscreen studio, through the techniques involved in lighting the greenscreen and the subject separately and covers everything from setup to producing the shoot to compositing the footage. Color Keying & Masking – 3 Weeks Understanding Color Keying Measuring & Filming Back Plates Setting up the Green Screen Filming on Green Screen Color Keying Fine-Tuning & Problem Solving Alternatives for an Impossible Key Matching & Combining Layers Working with Masks Mask Options and Variable Feather Animating Masks Advanced Sky Replacement Courseware is a mix of classroom lessons, field work, assignments & a final course project. Color Keying & Masking – Course Hours Breakdown: School Hours: 06 Hrs. Contact (Theoretical – with Tutor) 30 Hrs. HandsOn (Practical – with Tutor) Extra Hours: 15 Hrs. Self Study (Assignments) 30 Hrs. Assessment (Course Project) 81 Hrs. Total Course Hours Classes: 4 Days/Week – Monday, Tuesday, Wednesday and Thursday Time: 10:00-13:00 Entry Requirements Open to anyone 18yrs + and courses are delivered in English. Students are required to provide their own laptop. [-]

One Year Intensive Interior Design Course

NAD - Nuova Accademia del Design
Campus Full time 1 year October 2017 Italy Verona

The Annual Interior Design Course aims to create professionals who are ready to enter the profession. Never before has this figure turned out to be strategic for the creation of new jobs while focusing on the design skills which are typical of an interior designer and their knowledge of creating expert and highly-realistic 3D views. [+]

The Annual Interior Design Course aims to create professionals who are ready to enter the profession. Never before has this figure turned out to be strategic for the creation of new jobs while focusing on the design skills which are typical of an interior designer and their knowledge of creating expert and highly-realistic 3D views. The end customer buys what he sees and the interior designer must interpret these needs and transform them into final works that most closely match the wishes of the client. Requirements The course is open to anyone in possession of a degree levev Education Diploma. It is preferable to have a minimum knowledge of using PC with Windows or Mac operating system. Professional outcomes The specialization obtained during the course allows you to work in companies in the furniture and furnishing sector, in design and design studies, in estate agencies, furniture stores and work as an Industrial Designer, Project Designer or freelance consultant for specific projects . The skills learned in the rendering industry, thanks to the use of the software Cinema 4D, will allow to also assess prospects for cooperation with studies or technical departments of graphic companies for the realization of catalogs and brochures or other furniture. Program of the course During the course we will be provided all the educational tools to complete the career and obtain the qualification in interior credited AIPI (Italian Association of Interior Designers). It will be provided free of a specific program for architects and managed exclusively by the Academy of Design in accordance with Software Dynamics who developed it. In addition each member will have supplied a special "student kits" consisting of everything you need to follow the course. The program is divided into modules dedicated to different areas of the objects of design to ensure the achievement of learning objectives. Topics covered during the year are divided into educational areas to allow to acquire a working method and to compare with different levels of difficulty of the project. The course is on the study of subjects such as history of design, the materials used, color theory, plants and lighting techniques, technical drawing, budget analysis, the different types of residential and commercial furniture and then focused with exercises conducted by professors and experts, on the realization of a project with the presentation of a complete processed in its entirety. In this way each participant will have all the tools to prepare technical specifications, but also leaving space to their creativity, a complete project to be presented to the end customer. Particular attention will be paid in addition to the technical drawing freehand, who will serve a first part of the course, even to 3D modeling elements, and to the careful and thorough study of the innovations in terms of rendering with the latest eye-popping performance of the Maxon Cinema program 4D. Nowadays, in fact, it is indispensable engage in design of interiors without being in possession of advanced skills in rendering engines, and on the photorealistic lighting techniques. Within the specific educational program for the design of interiors, the course includes some very interesting add-on modules that in some cases, which complete the formation of the designer, and in other cases have the function to open a window to specific themes. Inside the course will address the following topics by experts in the industry professionals for a total of 184 hours. Garden Design Module Planning Module Lighting tecniques Module Feng Shui Module Luxuring Design Module In-Design Module Photoshop module and C4D During the academic path some lessons will be devoted to useful arguments to face the world of work: writing a résumé, deal properly and effectively a job interview, become a freelancer, to register for VAT, prepare a portfolio of their own work, their own website and deal with the customer first. Lessons are conducted by employment consultants and consulting experts for start-up of companies. Topics covered Cultural instruments Furniture history From baroque up to 20 years Starring the world of design from the 20s to today The professional The skills and relationships with customers Leading companies Products that have become recognized and recognizable symbols Expressive tools Geometric drawing Geometric representation of interior spaces, furniture and furniture Draw & Survey Technical and practical tools Techniques of representation Different representation techniques finalized in the communication of the project Digital technical drawing Introduction to Professional ArredoCAD and thousands of libraries contained therein Exercises and use of Cad furniture program for both 2D and 3D part and on Rendering the final project Technological devices Color and lighting Color Theory Relationship between colors, materials and finishes to define the character of an environment lighting system design, analyzing the types of lighting fixtures and their applications building technology Knowledge of the structural characteristics and system of a dwelling Budget analysis and budget Budget analysis and how to draw up a bill of Project tools Ex-tempore Drawing exercises and significant skills in the classroom with the teacher's help and at home Annual project a space with the furniture design studio to the definition of the color design, materials and finishes 3D modeling tools with Maxon C4D Analysis basic settings Basic tools (move, scale, rotate etc ...) Modeling of polygonal objects and different modeling techniques Boolean functions Creating materials and textures Mapping and application materials Technical lighting Parameter settings of render Technical basis for animations inside made environments Introduction to advanced modules render Representation tools and photorealistic rendering Scene composition and framing Libraries of furnishing and usage and online resources advanced materials, volumetric materials, use and settings views and cameras to the interior architecture Lights and Lighting advanced, Global Illumination and HDRI Animation for visualization of internal rooms, subjective shot, tracking shot, zoom, rolling and other shooting techniques rendering parameters and effects, advanced settings for the interior advanced polygonal modeling, analysis tools and techniques Modeling of complex forms, how to model a lamp or an object of curvilinear furnishings and other complex shapes. Working with layers and create presets Objects and dynamic logic to understand MoGraph, effetuatori and objects Cloth Dynamics Particle, particle and force systems Basic concepts of motion graphics Advanced materials and shaders multichannel Advanced materials and shaders multichannel and points of view cameras Animation basics, how to animate objects and parameters Advanced animation timeline and adjustments, keyframe, curves, f-curves Linked object animation, kinematics and inverse kinematics smart programming objects and effects, Xpresso basics Hair module, a fickle form, obtaining fur, meadows, thatched roofs rendering parameters and effects, advanced settings, and Global ambient occlusion lighting; Exporting an image in Photoshop, render multipass, provision for adjustment of the image Introducing V-Ray Introduction to compatibility with Adobe After Effects Exporting an image in Adobe Photoshop, render multipass, provision for adjustment of the image Professors Arch. Marta Paganotto: the interior design teacher Dr Cecilia Comencini: lecturer in design of gardens and outdoor Ing. Francesca Poli: Arch plant lecturer. Riccardo Rubini: lighting professor Dr. Pierfrancesco Ros: feng shui lecturer Dr. Roberto Conato: luxuring of living lecturer Dr. Simonetta Desiato: graphics teacher Arch. Rosario Carotenuto: 3D modeling teacher How to register To register please complete the inquiry form and in all its parts. Finale examination and certificate At the end, after examination and verification of the work done during the duration of the course you will receive a certificate of specialization and expertise by a vote of thirty in accordance with applicable laws. The value of the certificate of the on-line course and in the classroom is the same. [-]

Travel Photography Course

GrisArt Escuela Superior de Fotografía
Campus Part time 4 months February 2017 Spain Barcelona

This Travel Photography Course provides technical, compositional, expressive and narrative skills necessary for participants to be able to photograph based on certain interests and compose a valuable report of the place visited. [+]

The trip pleasure is treated as a life experience that enriches the person, so having initiation and source of knowledge. A fun activity that image registration is one of the biggest attractions. Travel and shooting are inseparable for the vast majority Globetrotters; however, their motivations are different: preserve a memory, tell others your experience, sort, catalog lessons learned, feel the challenge of discovering the joy of creating ... This Travel Photography course provides the technical, compositional, expressive and narrative skills necessary for participants to be able to photograph based on certain interests and compose a valuable story of the place visited. Addressing photographic genres such as portraiture, landscape, architecture, entertainment or sports, students gain a wealth of knowledge, judgment and action security to enable them to deal with ease to most situations. The course encourages a deeper and more personal view on the subject photographed, giving priority to quality over quantity. To do this, it affects the editing criteria, essential for cohesion and coherence make suggestive result. Delve into guidance on the organization of the journey, respecting the new societies, patterns of behavior to arouse empathy, tactics to avoid superficial glance or keys for an impromptu interview. Finally, suggests those contributions that enrich the final product: the inclusion of texts, possible testimony or interviews, sounds collected, generated documentation ...... [-]


TECHNOLOGY AND THE STAGE

The Lir National Academy of Dramatic Art at Trinity College Dublin.
Campus Full time 2 days February 2017 Ireland Dublin

A two day workshop covering the principles and practices in lighting a small theatre production including rigging and focusing theatre lanterns, the use of special effects, programming the operating desk and the operation of follow spots. [+]

A two day workshop covering the principles and practices in lighting a small theatre production including rigging and focusing theatre lanterns, the use of special effects, programming the operating desk and the operation of follow spots. The course will include practical sessions as well as presentations from the tutor. Day two will focus on sound design covering what sound is and how it can be managed, systems and equipment and how to use them, troubleshooting and the basics involved in setting up the sound for a small theatre production. Cancellation Policy The full course fee is payable as acceptance of an offer of a place on the course. In the event of cancellation more than two months prior to the course start date, a sum of €100 will be retained to cover administration costs. In the event of a cancellation less than two months prior to the course start date, the sum of €250 will be retained. A withdrawal less than one month before the course start date will result in the forfeiture of the entire fee. Application Requirements Fluency in the English language is essential. A commitment to punctuality, discipline and preparation is required from every participant. Information on what to wear etc. will be sent to successful applicants once they have been accepted onto the course. [-]

Filmmaking - 1 Year Program

Prague Film School
Campus Full time 1 year September 2017 Czech Republic Prague

Prague Film School is one of Europe’s leading schools providing practical training in the core disciplines of filmmaking. The school's accelerated programs, its international faculty and world-class facilities draw students from all over the globe bent on converting a long-held passion for film into a life-time profession. [+]

Course Studies in Arts in Europe 2017. September 4, 2015 - May 22, 2016 Prague Film School trains students to become film professionals. This is accomplished through implementing a praxis-heavy curriculum integrated with theory and analysis in the classroom. Each student is involved in up to 30 productions annually, many of which end up in the Industry's top film festivals. The prevailing ethos of Prague Film School is a mix of European art-house and American independent cinemas. Up to 80 students annually enroll at the school, drawn from the best schools around the globe and from a wide range of professions and backgrounds. Different from many national film academies or major private film schools abroad or in Europe, Prague Film School is characterized by its small size. This lends a particular intimacy to the educational and filmmaking experience, promoting close work relations with teachers and students and affording easy access to filmmaking facilities. Based in Prague, it is the city of Prague itself that plays a leading role in the students' experience at PFS. Professional productions come from all over the world to shoot in one of the world's most beautiful capitals. Students at Prague Film School have the city available to them all the time, as a classroom, as a home and as a film set. Films made in the course of the year program reflect a gradual progression from the basics of filmmaking to the successful completion of a well-crafted film. Each stage of the process is developed under the supervision of the faculty whose courses cover theoretical and technical topics aimed at deepening knowledge and honing technical skills. The year program is divided into two semesters. First semester, each student completes foundation courses in screenwriting, directing, cinematography and editing. Students also enroll in two elective courses while receiving additional training in sound, lighting, camera movement and grip. Practical exercises are integrated into the curriculum and each student directs 4 films while working on another 16 to 20 productions in some crew capacity. During the second semester, students specialize in one or two areas of their choice. Each specialization has its own curriculum. As part of the specializations, each student writes and directs 2 to 3 films and works on another 12 to 14 productions in various crew positions. The great emphasis of the second semester is placed on the Diploma Film, which should be of film festival quality. APPLICATION DEADLINE Early-Action Application Deadline: December 8, 2014 Final Application Deadline: February 23, 2015 Fees - Tuition Fee: 14.900 Euro - Equipment Fee: 900 Euro [does not apply for acting for film program] WHY STUDY AT PRAGUE FILM SCHOOL? Praxis-Oriented: One would be hard-pressed to find a program that provides as much practical exposure to filmmaking. More than 400 films are shot per year at Prague Film School and students in the year program participate on as many as 30 productions. The operating principle of Prague Film School is training, and we believe as with instruments or with languages, the only way to develop fluency is to practice. High-end facilities: Prague Film School is well-stocked with the latest cutting-edge equipment used in professional film productions throughout the world. Students have immediate access to the school's fleet of cameras, including RED, Arri, Canon and Sony high definition cameras, in addition to high-end lighting, sound and grip. Intensive: The type of student who chooses Prague Film School comes to us because he or she has essentially only one year in terms of time or financial resources to cross from where he or she is in life at the moment into the world of professional filmmaking. We then have only one year to bring these students to a level of competence where they can operate professionally. As such the program is highly squeezed. Faculty-student relations: Core faculty are brought in from around the world. While all teachers are accomplished professional filmmakers, their primary purpose in Prague is to teach students at Prague Film School. The dynamics are then what you find at exclusive boarding schools and small colleges in the U.S., where the teachers are highly devoted to their students and accessible. Faculty also embody the school’s ideology of integrating European art-house with American independent cinemas. Diversity of student body: In a student body of 60 students, 25-30 countries are represented. Nearly every other student is from a different part of the world, but there’s a sub-cultural glue binding them together. Students live and breathe film together. Liberalism: Most students at our school have completed undergraduate studies and see their time at film school as a cherished chance to wed their deep interests with a vocation. As such, the administration treats all students as responsible adults and trusts students to take full responsibility for their studies. The school does not interfere with students’ artistic choices. Prague: Prague is one of those very rare cities that manages to combine cosmopolitanism with intimacy and beauty. It’s magic is apparent to just about anyone fortunate enough to spend some time here. Prague is a major European film center with one of the continent’s largest and oldest film studios. The city is regarded among the world's most beautiful capitals and productions come from all over the globe to capitalize on the the city's beauty and film resources. For a film student, Prague is a dream city, providing a setting for virtually any type of film, a charismatic metropolitan buzz for inspiration and affordability still unique in the developed world. [-]

DesignBuild Summer Studio

TU Berlin Summer & Winter University
Campus Full time July 2017 Germany Berlin

This DesignBuild Summer Studio focusses on the realisation of a small building project from the initial design to the process of building by the students themselves. This will be carried out in an academic environment, engaging in interdisciplinary collaboration between students of Architecture, Landscape Architecture, Urban Design, Civil Engineering and other related fields. [+]

Summer University block 3: July 24th - August 17th, 2017 Course price: 1.850 Euros 18 hours of class sessions per week, 5 ECTS credit points Target group This DesignBuild Studio is aimed at students who want to gain creative and practical knowledge through making. This course is suitable for students of Architecture, Landscape Architecture, Urban Design, Engineering and other related fields who are willing to leave the boundaries of their desks, and conquer real life scenarios. Skills in building crafts are of an advantage but not essential. Learning Goal/Output The participants will develop their creative, practical and professional skills through creative experimentation and the process of making. Course Components Firstly, creative experimentation in the form of site responsive land art and/or installations will enable the students to explore the spatial qualities of the site. The participants will then develop an idea from the design stage to the built project. An examination of the context and discussions with the clients and users will form the basis for the final design. In a competitive design workshop, the best and most feasible solution(s) will be selected and developed. In collaboration with the users and under the guidance of a craftsman, the design will be built and inaugurated. The course will include the following components: Lectures / seminars Berlin excursions Creative and practical workshops On site photography, installations and/or land art 3d design / model making Design/build studio Interdisciplinary critics Equipment: - Styrofoam cutter, 3D printer, carpentry workshop Budget: - we have a small budget for materials The DesignBuild Studio will be based at the University, transportation will be organised for the 5-8 days of site visits and construction works. Short Description This DesignBuild Summer Studio focusses on the realisation of a small building project from the initial design to the process of building by the students themselves. This will be carried out in an academic environment, engaging in interdisciplinary collaboration between students of Architecture, Landscape Architecture, Urban Design, Civil Engineering and other related fields. The suggested site is Scharfenberg Island, a small island in the northwest of Berlin which is only accessible via a small ferry or rowing boats. Scharfenberg is the home to a school with ca. 450 pupils, the school farm and ca. 9 residents. The idyllic island environment is the perfect location for creative thinking and making. The project will focus on the design of outdoor spaces for learning, celebration, retreat and contemplation. The location will be confirmed towards the end of 2016. The students will firstly explore the spatial qualities of the site through creative experimentation in the form of photography, site responsive land art and/or installations. They will then develop an idea from the design stage to the built project. An examination of the context and discussions with the clients and users will form the basis for the final design. In a competitive design workshop, the best and most feasible solution(s) will be selected and developed. In collaboration with the users and under the guidance of a craftsman, the design will be built and inaugurated. The challenge will be integrate "low-cost" and "high efficiency" requirements with considerations for sustainability, aesthetics, appropriateness, participation and education. Besides the enormous gains in professional knowledge our goal is to make students more sensitive to the ecological, social and cultural implications of their work. In order to profit from the high potential of these small-scale projects the focus has to be placed on the quality of the space that is created. Design decisions and implementation therefore needs to be made precisely and carefully. This project will be run similar to the Summer University project "Panke Platz" that took place in 2016 Prerequisites The willingness to work in a team is a precondition. The general prerequisites of the TU Berlin Summer University are at least one year of university experience and English level B2 or equivalent. Lecturer(s) Simon Colwill, BA(Hons) Dip(Hons) Simon Colwill studied Landscape Architecture at the University of Greenwich in London and worked for many years thereafter as a freelance landscape architect in Berlin. He has been a teaching and research assistant at the Department of Landscape Design and Construction at the Technische Universität in Berlin since 2004. Here he has supervised many studio projects and seminars in the bachelor and master's program. Since 2007 he has been a member of CoCoon (http://cocoon-studio.de/), supervising designbuild projects that follow an interdisciplinary designbuild teaching model involving architects, landscape architects and civil engineers. These projects aim to achieve a balance between innovation, good architectural practice, the technical qualities of the result, as well as making a contribution to the community. He has been running designbuild projects in Mexico, Egypt, Bolivia and in Germany. Florian Zwangsleitner, M.Sc. Florian Zwangsleitner studied Landscape Architecture and Urban Design at the TU Berlin, he also trained as an engineer in timber construction. He then worked as a landscape architect in Berlin. He has been working at the Department of Landscape Construction at the TU Berlin as a teaching and research assistant since May 2016 where he supervises design projects and university seminars. He has been a guest lecturer and co-supervisor of several DesignBuild Studios. As a student, Florian participated in the TU Berlin`s DesignBuild Studio in Oaxaca, Mexico. [-]

Advanced Training Course In Lighting Design - Design Light

IED – Istituto Europeo di Design Florence
Campus Full time 7 months April 2017 Italy Florence

The Advanced Training Course in Lighting Design - Designing the light provides the theoretical knowledge and practical experience needed to enter the profession of Lighting Designer. Integrates design skills with elements of lighting design, understood as an added value in terms of aesthetics, functionality and expression of the architectural project and / or visual communication. Able to look at light sources as an expressive tool of great plasticity, the Lighting Designer is able to cure the lighting director of residential interiors and service, exhibition and entertainment, public and commercial spaces spaces, outdoor environments, roads, architectural facades , parks and gardens. The course is sponsored by IED and the Targetti Foundation, an international reference point for the lighting training. [+]

Course Studies in Arts in Europe 2017. THIS PROGRAM 'TAUGHT IN ITALIAN Who should attend: The course is aimed at graduates or graduates in Architecture, Interior Designers, Engineers, Product Designer, or specialize in related fields, professionals in the architecture and interiors sector, specialists in Visual brand communication, museum conservators with computer skills major design programs and design and who has experience in the field. addresses of specialization: Lighting Designer, a key figure in the design of interiors and exteriors, which is a professional architectural firms, large companies, public administrations and the conservatives of the artistic heritage refer to secure a fair and efficient lighting director, sustainable and capable of highlighting the features of any context. Structure and methodology: The Advanced Training Course in Lighting Design - Designing the light is intended to deepen the theoretical point of view, practical and aesthetic, all the specific topics for proper lighting design. The course is structured in five modules, one theoretical and four theoretical and design through project work aimed to address all the areas of interest of Lighting Designers (interior architecture, urban exteriors, entertainment, museum exhibition). Each module focuses on a specific application environment in order to provide the knowledge to make correct and effective projects. Starting from the physical and technical-scientific light, the Base module explains the lighting language, with specific focus on light sources, luminaires and design fundamentals. A particular attention is given to the LEDs, the digital management of the light and energy sustainability. The first module addresses the light to the workplace and welcome. Visual comfort is investigated in terms of both scientific and regulatory both declined in the practical application of the Office lighting and hotel lighting. The architectural outdoor lighting and public spaces is addressed in the next module with the aim of providing tools for planning outdoor lighting with maximum security, while respecting the sustainability and enhancement of the identity of a place. In the light module dedicated for cultural heritage, the student learns the knowledge and tools needed to manage the lighting design for museum and exhibition spaces for artistic value places. Particular attention is given to the use of LEDs. Proper lighting of the spaces dedicated to the sale is in the middle of the fourth module, where the student learns how to achieve efficient lighting that enhancing the goods displayed (light as visual and sensory communication tool that contributes to the construction of a real of brandscaping) strategy. The course is organized with the support of: // AIDI - Italian Lighting Association // ASSIL - National Association of Lighting Manufacturers Credits architects IED European Institute of Design / IED Florence has been authorized to carry out educational activities appropriate to the issue of professional education credits for members of the Chamber of Architects, following the CNAPPC resolution dated June 25, 2014 and subsequent favorable outcome expressed by the Ministry of Justice. The Lighting Design course recognized Modules: LIGHTING DESIGN: The light for workplaces and hospitality (15 credits) LIGHTING DESIGN: The light for cultural heritage (15 credits) LIGHTING DESIGN: Architectural Lighting of External and Public Spaces (15 credits) lIGHTING DESIGN: The light for commercial spaces (15 credits) [-]

Postgraduate Degree Programme in Public Art and New Artistic Strategies

Bauhaus-Universität Weimar
Campus Full time 4 semesters October 2017 Germany Weimar

The Faculty of Art and Design at the Bauhaus-Universität Weimar established the English-language, postgraduate M. F. A. degree programme in »Public Art and... [+]

Postgraduate Degree Programme in Public Art and New Artistic Strategies (M.F.A.)

 

The Faculty of Art and Design at the Bauhaus-Universität Weimar established the English-language, postgraduate M. F. A. degree programme in »Public Art and New Artistic Strategies« in the winter semester 2001/02. As the first and only master‘s degree programme of its kind in Germany, it prepares fine arts students for working in the public sphere and provides them with the skills required for effective artistic intervention.This degree programme is targeted at international students and was established with start-up capital provided by the German Academic Exchange Service (DAAD). Students from around the world participate in this MFA programme, and German students benefit from the vast network of international partner universities where they can study for one or two semesters abroad. Enrolment in this degree programme is limited to 40 students. Foreign students spend four semesters studying in Weimar, while German students are required to study abroad for at least one semester. New students are only permitted to enrol in the winter semester.... [-]


Course in Collection Design

Milan Fashion Campus
Campus Full time Part time 2 - 4 weeks October 2017 Italy Milan + 1 more

Creativeness is difficult to explain, especially in fashion. For example the design of a dress is only fully pictured in the mind of a designer. The designer then has to express his creation through sketches but it must be precisely expressed suiting the mood of the fabric. You must have knowledge of fabric in order to design and sometimes designs are based on the textile in the professional world. [+]

Course in Collection Design

Creativeness is difficult to explain, especially in fashion. For example the design of a dress is only fully pictured in the mind of a designer. The designer then has to express his creation through sketches but it must be precisely expressed suiting the mood of the fabric. You must have knowledge of fabric in order to design and sometimes designs are based on the textile in the professional world.

Final work: Creative Final Workshop: Designing a collection based on the selection of fabric

 

Course Learning Outcomes

- To gain knowledge of fabrics and knits- To develop the sensibility of taste in textile selection- How to make designs suiting the material- To develop the sensibility of matching colors Throughout the course you will be provided for instance... [-]


FdA in Professional & Commercial Dance, full-time [Shockout Arts]

University of Bolton
Campus Full time 2 years August 2017 United Kingdom Manchester

This course is a partnership between the University of Bolton and Shockout Arts, based in central Manchester, and is designed to give you the edge to succeed in the busy performing arts market place. The course has been designed to reflect the needs of professional commercial organisations operating in this industry. It focuses on developing your practical skills to a high level and you will undertake your physical dance training in Shockout Arts’ high... [+]

Professional & Commercial Dance - FdA full-time [Shockout Arts] This course is a partnership between the University of Bolton and Shockout Arts, based in central Manchester, and is designed to give you the edge to succeed in the busy performing arts market place. The course has been designed to reflect the needs of professional commercial organisations operating in this industry. It focuses on developing your practical skills to a high level and you will undertake your physical dance training in Shockout Arts’ high-standard industry-approved dance studios. Additionally, your studies of specialist subject areas will be underpinned by knowledge and understanding of the key concepts needed for an all-round appreciation of commercial dance in a professional context. You will acquire a thorough grounding in Ballet, Jazz and Contemporary dance, and develop the knowledge and skills needed for a career in a variety of exciting and demanding professions in this industry. About the course Shockout Arts has longstanding links with organisations and employers in the performing arts industry throughout the United Kingdom and internationally. The programme is designed to address the current and future needs of such employers, and to enhance your lifelong career prospects as a professional commercial dancer. In addition, Shockout Arts’ highly experienced tutors are keen to make the time you spend with them as academically stimulating and rewarding as possible. The course includes a significant proportion of practical training and workshops where you will develop a range of techniques from most genres of commercial dance. Shockout Arts’ staff enjoy a well deserved reputation for being approachable and interested in their students’ progress. As a student on the FdA Professional and Commercial Dance programme you are assured individual support and guidance at every stage. Special features The programme features a variety of teaching and learning methods including visits, workshops, guest speakers, with a range of weekly practical dance training sessions equal to industry standards are provided. The two year programme includes a work placement in the performing arts industry. The programme is delivered by academic staff who are professional industry practitioners. This ensures the programme content is relevant and up-to-date. The focus of the assessments is varied and includes a range of practical activities that are underpinned with academic work-based assessments, which are undertaken professionally. There is a combination of theory and practice throughout the programme. What you will learn The practical elements of this course involve workshops and structured training in a range of dance genres. These are supported and underpinned by theory elements delivered through lectures, presentations, seminars and tutorials using the University of Bolton’s virtual learning environment, Moodle. You will gain additional insights and knowledge by attending talks given by visiting speakers who are active industry professionals. While this foundation degree is taught at Shockout Arts studios in Manchester, you will officially be enrolled as a student at the University of Bolton giving you full access to all of the University’s facilities. Many of these resources are available electronically so you can use them remotely. In particular, Moodle allows you to access learning materials and study aids via the internet so you can work on your studies from anywhere at any time. What you will study Level 1 – HE4 Historical Context and Classical Ballet; Creative Arts Research and Professional Practice; Contemporary Dance Technique; Introduction to Commercial Dance; Technical Jazz; Performer Technical Skills. At level 2 underpinning theories and basic practical dance skills are developed to an advanced stage and applied to a range of professional and commercial dance genres. Experiencing the Industry (Work Experience in the Performing Arts Industry); Technical Jazz 2 and Performance; Contemporary Dance Technique 2 and Performance; Commercial Dance Showcase; Advanced Classical Ballet Technique; Choreographic Devices. Throughout your programme you will be encouraged to reflect on the development of your academic and professional skills and make recommendations for self-improvement. You will learn to appraise your own performance and set targets building towards the creation of your academic and professional Personal Development Plan (PDP). Entry requirements This course is open to UK and EU students. Applications from International students cannot usually be accepted because the study location for this course does not have a Tier 4 licence. Therefore, if you require sponsorship under Tier 4 (i.e. a Tier 4 international student visa to study in the UK) then unfortunately we will be unable to consider your application for this course. 160 UCAS points from at least one, but preferably two, A2-levels (or equivalent such as BTEC or HND) and experience of dance is preferred. You should also have five GCSE passes at grade C or above (or equivalent) including English. In addition you will be required to attend an audition as part of the application process. The quality of the audition is the primary basis on which applicants, with at least the minimum entry requirements, are selected. There is an audition charge of £30 per applicant for 2014 entry to the programme, payable directly to Shockout Arts at the audition. If English is not your first language you will also normally need IELTS 6.0 (or equivalent). If you do not have the required English level, you can study English with us from IELTS 4.0 (or equivalent). [-]

Intensive 1-Year Course in Interior and Retail Design

Accademia del Lusso
Campus Full time 1 year November 2017 Italy Milan

The Intensive Course in Interior & Retail Design at Accademia del Lusso Milan prepares students to become professionals who are able to invent and create graphic design for interior spaces using both manual and digital representation tools. The course aims to give students the in-depth theoretical knowledge and practical abilities that mean they will be able to identify and coordinate the styles, trends and materials... [+]

Course Studies in Arts in Europe 2017. The Intensive Course in Interior & Retail Design at Accademia del Lusso Milan prepares students to become professionals who are able to invent and create graphic design for interior spaces using both manual and digital representation tools. The course aims to give students the in-depth theoretical knowledge and practical abilities that mean they will be able to identify and coordinate the styles, trends and materials that allow them to distinguish the concept of ‘contemporary living’ with originality. The course also provides students with methodological and professional skills in planning and design, meaning they will be capable both of communicating and presenting their ideas adequately, and of independently managing the choice of techniques and technologies in order to bring a design to completion. Career prospects Interior Designer, Consultant in design studios or businesses dealing with interior design or furniture production, Designer of Retail and Commercial Spaces and/or relative furnishings, Designer of Spaces dedicated to Hospitality and/or relative furnishings, CAD Interior Designer. Some of the subjects taught in this programme - Contemporary Living - Project Philosophy - 2D & 3D Technical Drawing - AutoCAD - Design Strategies & Costing Internship opportunities Accademia del Lusso Milan offers those who successfully complete the Intensive 1-Year course in Interior & Retail Design the opportunity to be considered for an internship position in Italy and abroad thanks to the many links the school has with brands and businesses in the fashion and design sectors. These opportunities are offered to students who have attended an Intensive 1-Year Course and who have demonstrated a strong motivation to work in fashion and design, as well as exceptional ability, commitment and achievement during their studies. Entry requirements High school/upper secondary school qualification (leaver’s certificate) Suitable knowledge of Italian: demonstrated by a formal certificate or Skype language interview [-]